Taniwha!!

 

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Many years ago when I was bone carving I made this wee fella. The inspiration for it arose from my interest in one of New Zealand’s foremost carvers at the time, Theo Schoon who was very interested in traditional Maori art in Aotearoa and in particular (in part) the rock ‘paintings’ found in limestone shelters near Timaru (have a look here ) There are many wonderful rock ‘paintings’ but the two that took my fancy were the albatross and the taniwha.

The lizard had been used on a NZ stamp (1960) as had other cave paintings and I had been a stamp collector from childhood so there was that added interest.taniwha stampmatariki_2012_stamp_

 

 

 

 

 

 

And so I made the bone taniwha. Obviously it wasn’t an exact replica (and wasn’t intended to be) but the inspiration was pretty evident.

I later gave this carving to my son. I’m not too sure how often he wore it but as you can see from the photo it had a few quite fragile sections. You’ll have to understand that bone has a very definite grain in it (which runs from head to tail in this piece) and as with wood this can be a source of real strength but also a cause of real weakness. In this carving the curl at the tail and the thighs of the hind legs were the weakest points and it so happened that one of the legs broke. Of course such things can be glued and the piece worn again, but….

When I started the jade and hard stone carving in the back of my mind was to replace my boy’s bone taonga with one of stone. Some interesting stone from South Westland came into my possession (via Trademe- what a shop!) and it struck me that the look of it lent itself to being turned into a taniwha.

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So I did!!

It isn’t small so isn’t suitable for everyday neck-wear and can have the suspension cord removed to become a table-top fondle piece, or if so inclined he can put the cord back on and wear the wee taniwha as a dress pendant should he think that suits the occasion. (I hope he gets to go out sometimes!

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Assignment The Second!

After getting my results back for the ‘free form’ assignment I moved on to the next challenge on my CJA10 Jade & Hard Stone Carving course. This time we were required to produce 4 ‘asymmetric drops’ and to present 2 for assessment. Asymmetric? OK! Piece has balance but no symmetry.

I took a few lessons from my last assignment in that I had tried to run before I had learned how to walk, (or perhaps crawl before I could walk?) I had probably over-designed some of my first efforts despite the two assessment pieces- this one???????????????????????????????and this one???????????????????????????????being pretty basic and largely lacking in any ‘intricacies’.

This time I consciously ‘stuck with the plan’ and used the KISS principle, our tutor indicating that these first challenges are more about the tools than they are about the design and learning how the various point-carving attachments and sanding/polishing tools work and interact with the stone.

So, how’d I do?
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This piece made from Marsden jade is one of my assessment pieces because I think it conforms with the design criteria, but I just love the colours!!

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This piece has developed into a quite nice piece – another piece of Marsden- great colours!. 2003-01-01 00.00.00-11

This is also a piece made from Marsden- simple although getting the curve right across the face was the main hurdle- think I did it!2003-01-01 00.00.00-12I’m using this as my other assessment piece. It’s a nice simple form made from NZ jade. I am pleased with the simple form and have developed nice curves on front and rear. 2003-01-01 00.00.00-14

This is a nice piece of Polar jade from British Columbia- nice colour and picturesque speckles inside feature in the translucence.

I didn’t stop there but also made this pendant.2003-01-01 00.00.00-18It is a wee bit special because there’s a story that goes with it! When my wife and I moved into our new home several years ago there was a large green stone door stop in the lounge. I always wondered whether it was there because it was greenstone or just a green stone. We cut it the other day and this is what was inside! Lovely buttery yellow Marsden stone with a wide variety of other colours- greens , blues, pinks, browns. I am delighted that this stone has proven to be ‘proper’ jade.

Oh, by the way- I got 88% for my free forms!! Did OK!!

Progress!

I recently added a post on going back to ‘school’ and I am now an old hand of 2 weeks and 1 day’s experience! The group I share the ‘Jade and Hard Stone Carving Course’ with are a somewhat disparate group who include second year ‘Diploma’ students who completed the ‘Certificate’ course last year and are working at the next level up, and we ‘cert’ students, maybe with some prior knowledge of jewellery or lapidary, or bone carving, or who have no previous experience at all.

Our first week sessions were comprised mainly of safety and safe workshop practices, precautions to maintain good health and being introduced to the equipment we will be using. We were also introduced to varieties of stone ranging from what excites us most- jade, to ‘lesser’ stones that we may very well consider our ‘bread and butter’ while we hang out for some of the ‘real’ stuff to come along.

We have touched on design elements and principles (or should that be design principles and elements?) and looked at the work of some of the notable stone carvers we have in New Zealand. These people are extraordinary and to be in awe of. They are people who create works of art that we can only dream of creating. Some of the pieces they have made are internationally recognised for the skill and beauty that are embodied in them. One in particular comes to mind- a piece by Ian Boustridge, a Greymouth artist who has been at the forefront of the jade industry in New Zealand for many years. It is a remarkable piece- a fabulously entwined tendril of pure kawakawa pounamu called ‘Sonic’ that when struck produces a pure sound that is audible for a full 35 seconds!Ian-Boustridge-Tendrils-of-Jade1-300x204Such a piece one can only aspire to tame imitation of.

Our first assignment was pretty simple and straightforward- design and make six free-form ‘pieces’. We were allowed to choose our own pieces of stone from a collection of off-cuts that previous students have trimmed off the larger stones they have produced advanced assignment works from. There were large(ish) pieces, straight(ish) pieces, chunky pieces, flat pieces and almost everything in between. There were pieces of jade, both New Zealand and  overseas (much of the ‘pounamu’ sold in New Zealand is, in fact jade from British Columbia or Siberia- or elsewhere in the world) and other stones such as serpentine, jasper, tiger eye and  such. The idea was for the student to see the potential in a piece and then allow the form that lay within to emerge through their working. It was also a chance for the emerging carvers to get their first experiences of the various tools they have available- how to remove stone most efficiently with both a ‘point carver’ and a hand-piece.

Of course the untrained eye just saw pieces of stone and was hopeful that something lay within and could be brought out.

We have 3 more days to complete our pieces with shaping, grinding, sanding, polishing and hanging to be mastered. (Mastered? You must be joking!) Anyway here is where I am at.

This piece I chose more for the interesting flecked texture that I saw in it and a feeling that it would polish up really nicely.pendant cmprssdIt is probably the nearest to what was the intention of the design brief- a simple free-form with no straight lines or surfaces. I still haven’t made up my mind where I will suspend it from! This stone is a piece of ‘Douglas Creek jade’, which I’m informed isn’t jade but is a form of a serpentine.

I picked out a lovely piece of Siberian ‘inanga’ stone that has beautiful milky colour and had some interesting patterning which took my eye.siberian cmprssdUnfortunately the patterns were ‘de-laminations’ or cracks in the stone and these caused flaking off around one end. I think I will end up with a pretty piece though.

I have a bit of design history from my bone-carving days of course and as a consequence got a bit carried away with ‘over-designing’ but… It meant that I set myself extra challenges but that can’t be such a bad thing, huh?

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This piece of stone is true jade and has some beautiful colours and patterns. The off-cut I made this from had a large fracture running through it but I thought I could make s0mething of it.

This piece has been quite problematic and this is due to choosing a symmetrical design that involves removing mass evenly.pendant3 cmprssdI don’t know that it has quite worked, but there are again some very nice patterns in the stone that will look good when it is finished.

‘Manu’ has emerged from a really scrappy off-cut.crappy off cutOr is that ‘crappy’ off-cut? I saw the fractures in it but thought that something could be salvaged. As I carved one bit broke off, then another and I nearly walked away from it.manu cmprssdI’m glad I didn’t because what I think is a nice bird-like design has come out of it.

When I thought the symmetrical piece wasn’t going to work I decided I’d better make a back-up piece and this black spike is the result.tooth compressedI’m going to suspend it with a hidden attachment and it should hang very nicely.

And my last piece (at this stage) is ‘tuna’,tuna cmprssda neat wee design that started as a simple coil which developed a personality and led me, with advice from the tutor to add a hint of gills and fin to end up with an eel which will be suspended from the ‘shoulder’ (if a fish has a shoulder?)

So here I am, 3 days from presentation day and with a bit to do but so far I’m not displeased.

Waddaya reckon?